NBF News

Museum to Hold First Origami Class with Jeff Raab

Origami is an incredibly natural fit alongside the bonsai work, because they both rely on the essence of nature to create a beautiful art form.
— Jeff Raab, Origami Instructor
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When thinking of ancient arts, where does your mind first wander? Perhaps you think of tai chi or even bonsai training – but what about origami? According to the Public Broadcasting Service, the folding art became popular in China around 105 A.D., but  soon made its way to Japan and eventually the rest of the globe.

We spoke with Jeff Raab, a professional origamist who will be leading the Museum’s first-ever origami class, Origami & Bonsai: Ancient Arts Collide, happening at the Museum Jan. 18. (You can sign up here). Raab told us about how a beginner’s origami book he was gifted as a child became a lifelong passion. 

“Every kid has their thing, trains or dinosaurs – my thing was animals,” Raab said.

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Unlike some childhood hobbies that fade with time, Raab found solace in origami again as a young adult while pursuing an acting career in New York. For about five years now, he has worked with Taro’s Origami Studio, teaching folding workshops and delving deeper into the complex models.

“I’d only seen the tip of the iceberg in terms of what origami was, and there was so much more I wasn’t aware of,” he said. “Origami is this vast unending realm of possibility. If you can think of it, somebody’s probably come up with an origami version of it.”

Raab teaches folding to young origamists at Taro’s Origami Studio.

Raab teaches folding to young origamists at Taro’s Origami Studio.

Raab said origami now provides him with a much needed break from a chaotic New York day, instead of just acting as a way to pass the time.   

“I love that it’s meditative,” he said. “You’re always engaged with it, but it’s not rushed. You’re patient with it.”

How the ancient arts collide

Both origami and bonsai have been practiced for hundreds of years, and the versatile art forms complement each other with their creativity and precision, Raab said.

“They’re both meditative and engaging,” he said. 

Raab said the atmosphere and organic beauty at The National Bonsai & Penjing Museum presents an amazing location for his upcoming origami class. 

“Origami is an incredibly natural fit alongside the bonsai work, because they both rely on the essence of nature to create a beautiful art form,” he said. 

Vulture and eagle origami

Vulture and eagle origami

What to expect at Raab’s session

Raab wants to ensure that he introduces the art form in depth, rather than simply presenting a few entertaining models. 

“I want to offer some of the underlying concepts around origami so that the class is not just about how to fold three or four things but rather provides some ideas people can expand upon,” he said. 

Participants will learn different bases and models, and anyone from a novice origamist to a seasoned folder is welcome.

“I’m treating this as a total beginner, no experience needed, never done it before introduction to origami,” Raab said. “I’m anticipating starting from – no pun intended – square one.”

To get your start in the origami world, or to brush up on your folding techniques, sign up for Origami & Bonsai: Ancient Arts Collide held Saturday, Jan. 18!


A few spots remain for Saturday’s children-family Origami & Bonsai workshop. Learn more and register here.

Learn more about our friends at National Symphony Orchestra and their origami crane project here.

Hiring: First Curator's Apprentice

The first Curator of the National Bonsai & Penjing Museum was Robert Drechsler who served in that position from the founding of the Museum in 1976 until 1998.  In 2011, during the celebration of the 35th anniversary of the Museum, an internship for the Museum was established by the National Bonsai Foundation to honor Mr. Drechsler for his many years of service. It was called the First Curator’s Apprenticeship.

The purpose of the apprenticeship is to educate and train a new generation of American bonsai artists. It is sponsored by Toyota North America and the Hill Foundation.

Applications are currently being accepted for the 2020 First Curator’s Apprentice.


Hiring: P/T Communications & Social Media Intern (Paid)

The National Bonsai Foundation is seeking a part-time communications and social media intern to maintain and expand its online presence with the goal of recruiting donors and visitors to The National Bonsai & Penjing Museum. NBF is the non-profit supporting branch of the Museum, located at the U.S. National Arboretum in Washington, D.C.

The Museum began in 1976 when Japanese bonsai enthusiasts from the Nippon Bonsai Association donated 53 bonsai to the United States to commemorate the U.S. Bicentennial. More than 150 trees are now on display in the Museum's Pavilions, Tropical Conservatory, Special Exhibitions Wing and courtyard. Under the leadership of curator Michael James, the Museum is training the next generation of bonsai experts who have gone on to lead institutions in major U.S. cities.

The intern will be responsible for managing NBF’s social media accounts, assisting in event planning and promoting NBF and the Museum. They will work with our communications and executive team on social media strategy and will be expected and encouraged to implement their own ideas. The intern will be expected to commit to 15-20 remote hours per month, plus regular visits to the Museum. Applicants must be based in the D.C. area.

This is a paid position.

Responsibilities will include, but will not be limited to:

  • Writing content for our website and social media pages by documenting and attending Museum events, interviewing notable figures in the bonsai world and capturing “behind-the-scenes" experiences at the Museum

  • Creating and distributing a monthly/twice-monthly email newsletter, with occasional additional messages to promote special events or fundraising campaigns

  • Posting on and tracking analytics for our social media pages

  • Monthly marketing strategy phone calls with NBF members and communications leaders

The ideal applicant will have:

  • Extensive experience using social media for personal use and on behalf of a non-profit organization, like a museum

  • Strong writing skills

  • Familiarity with Squarespace, MailChimp, Eventbrite, Facebook Live, YouTube and social media apps like Facebook, Twitter and Instagram

  • An interest in bonsai, horticulture, Japanese culture, public gardens and the Washington, D.C. museum scene

  • Photo editing skills and graphic design skills

  • Excellent time management capabilities

Application requirements:

  • Resume

  • Cover letter

  • Links to portfolio or relevant work

  • Contact information for 1-3 reference(s)

  • Please send all items to aanapol@bonsai-nbf.org.

A Year in Review: The National Bonsai Foundation's 2019 Achievements

Each year NBF strives to engage the community with the world of bonsai through our programming, partnerships and feature articles. Take a look back at the highlights of 2019, which were made possible through your generous support.

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Event Highlights


World Bonsai Day 

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Bonsai expert Michael Hagedorn traveled from Portland, Oregon to give pruning demonstrations and lectures and sign his book, “Post-Dated: The Schooling of an Irreverent Bonsai Monk.” Read more

 

Award in a Local Publication

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The National Bonsai & Penjing Museum was voted the "Best Place to Bring an Out-of-Towner" in Washington City Paper's Best of D.C. competition – our second, consecutive time winning this award! Read more.

 

National Symphony Orchestra Concert


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A string quartet from NSO played a wonderful concert among our collection for the first time to kick off the summer. Read more. 

 

Official Sister Museum Partnership

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Our Museum officially became a Sister Museum to the Omiya Bonsai Art Museum in Saitama, Japan. Read more

 

Local News Feature

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John Kelly of The Washington Post attended one of Master Nick Gracenin's Tai Chi classes at the Museum this fall and wrote all about it in his column! Read more

 

Nick Lenz Exhibit 

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Eccentric bonsai artist Nick Lenz's once-in-a-lifetime display featured ceramics and bonsai in a spooky, thought-provoking temporary collection. Read more.

 

National Geographic Print Feature

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Photographer Rebecca Hale visited our Museum to snap shots of curator Michael James' bonsai tools for National Geographic's Tool Kit Series! The series will be in print soon. 


Program Spotlights


Tai Chi Amongst the Bonsai

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Master Nick Gracenin of D.C. Tai Chi "grace-fully" led tai chi classes throughout the year. 

 

Forest Bathing Amongst the Bonsai

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Nature therapy guide Melanie Choukas-Bradley helped participants discover the power of nature on trips through our trees.

 

Yoga Amongst the Bonsai

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Class participants followed certified yoga instructor Alexa Tovsen's calm, relaxing voice at various yoga sessions.  

 

Drawing From Bonsai

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A great group of budding artists learned all about capturing the different shades and shapes of bonsai under nature artist Tina Thieme Brown. 

 

Mindfulness Amongst the Bonsai

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Mindfulness-seekers found their center at Linda Naini's meditation sessions among our collections.

 

Children's Workshop

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Kids learned about different tree types, animal habitats and bonsai history under the instruction of Museum curator Michael James. 

Special Message for Donors Older Than 70:

If you are age 70½ or older, please consider donating to NBF through a qualified charitable distribution (QCD).

IRS rules require you to take required minimum distributions (RMDs) each year from your tax-deferred retirement accounts. This additional taxable income may push you into a higher tax bracket and may also reduce your eligibility for certain tax credits and deductions.  A QCD, however, may eliminate or reduce the impact of RMD income.

A QCD is a direct transfer of funds from an IRA custodian, payable to a qualified charity such as NBF. Amounts distributed as a QCD can be counted toward satisfying your RMD for the year, up to $100,000, and can also be excluded from your taxable income. This is not the case with a regular withdrawal from an IRA, even if you use the money to make a charitable contribution later on. In this scenario, the funds would be counted as taxable income even if you later offset that income with the charitable contribution deduction.

 Why is this distinction important? If you take the RMD as income, instead of as a QCD, your RMD will count as taxable income. Having higher taxable income can directly impact your eligibility for certain deductions and credits. For example, your taxable income helps determine the amount of your Social Security benefits that are subject to taxes. Keeping your taxable income level lower may also help reduce your potential exposure to the Medicare surtax.

Or, send check to:

National Bonsai Foundation
3501 New York Avenue N.E.
Washington D.C. 20002

THANK YOU!

Learn more about donating to the National Bonsai Foundation here.

HISTORICAL TREE SPOTLIGHT: A Buttonwood From The CIA

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The National Bonsai & Penjing Museum has just declassified its latest tree: a buttonwood, or Conocarpus erectus.

Chelsea Robinson, a spokeswoman for the Central Intelligence Agency, alerted National Bonsai Foundation Executive Director Johann Klodzen that the CIA had obtained a bonsai tree and wasn’t quite sure what to do with it. The tree in the agency’s possession was the buttonwood, which is approximately 150 years old.

But how did such a historic tree end up in the hands of one of the nation’s top security departments?  

The buttonwood was first collected from the Florida Everglades about 30 years ago, changed owners multiple times and ended up in the hands of Bjorn Bjorholm, a bonsai professional. The United Arab Emirates (UAE) had asked Bjorholm to purchase trees for them to give as gifts to various recipients, including the buttonwood for the CIA. The UAE presented the tree to the CIA in August, in "recognition of our countries' strong and historic partnership."   

Dr. Richard Olsen, the U.S. National Arboretum's director, immediately accepted the buttonwood from the CIA on behalf of the Museum. Museum curator Michael James and gardener Erin Holden drove to the CIA under strict security to pick up the Museum’s newest addition. 

The buttonwood currently sits in the “growout” area, a place for trees that are not currently on display, until the tree recovers from its travels.

Museum curator Michael James said volunteers placed the tree into partial shade to help the tree adjust from living in a dark office at the CIA for nearly two weeks. James said they regularly watered the buttonwood for about a week and evaluated how quickly the soil dried before the next watering. 

“At that point the foliage condition was good, so we moved the tree into full sun and fertilized it,” he said. “Now the buttonwood is pushing out new growth, but not uniformly over the entire foliage canopy.”

James said volunteers are taking note of the tree’s weak and strong areas and cut off longer shoots to redirect energy to weaker branches. 

“When the strength of the growth is balanced over the canopy, the tree will be wired to shape the canopy in a way that is complementary to the twisted trunk that has lived through a hurricane or two,” he said. 

Gina Haspel, the director of the CIA, sent a letter thanking the Museum for ensuring the tree remained healthy and cared for before its transfer to the Museum.

“While the CIA has many talented officers, we are not skilled in the art of bonsai maintenance, and so we are incredibly grateful that the tree will be preserved in the Museum’s celebrated collection and that it is in such expert hands,” Haspel said.


Read more about this unique acquisition of this tree in this article by Washington Post columnist, John Kelly.

Drawing from Bonsai: Photos from Class

On Saturday, professional nature illustrator, Tina Thieme Brown taught a drawing class at The Museum. About 10 students gathered to “draw from bonsai.” Here are some great photos of the class by our Social Media Intern, Dani Grace. Read more about Tina’s creative process drawing nature in a past blog here.

Interested in taking a class with Tina at the Museum? Make sure to sign up on the form below and you’ll be the first to know if we announce another date!

National Bonsai & Penjing Museum Enters into Historic “Sister Museum” Relationship with Omiya Bonsai Art Museum in Japan

Photo Credit: Stephen Voss

Photo Credit: Stephen Voss

The National Bonsai & Penjing Museum officially became a Sister Museum to The Omiya Bonsai Art Museum in Saitama, Japan on Monday, Aug. 5th! 

Our Museum was formed in 1976 as the result of Japan’s Bicentennial Gift of 53 masterpiece bonsai. The Omiya Bonsai Art Museum, created in 2010, is located in the famous “Bonsai Village” that has been at the center of bonsai in Japan for almost 100 years.

Many board members and leaders from both museums attended the ceremony, which was held at our Museum in Washington, D.C. Dr. Richard Olsen – Director of the U.S. National Arboretum, which houses our Museum – and The Honorable Hayato Shimizu, Mayor of Saitama, signed the “Sister Museums Declaration.”

Photo Credit: Stephen Voss

Photo Credit: Stephen Voss

Attendees heard remarks from Dr. Olsen, Mayor Shimizu, Felix Laughlin – National Bonsai Foundation Co-President – and Takahiro Shimada, Minister for Communications and Cultural Affairs at the Japanese Embassy. A luncheon in the Exhibits Gallery followed the ceremony, and Dr. Fumiya Taguchi – Manager of The Omiya museum – gave a presentation called “The History of Bonsai in Japan.”

Photo Credit: Stephen Voss

Photo Credit: Stephen Voss

In the advent of their new partnership, the two museums plan to share information about their upcoming educational bonsai exhibits and programs. 

“Both museums hope to help increase awareness and appreciation for the other as premier destinations to experience the art of bonsai at its highest level of creativity and development,” Laughlin said.

Photo Credit: Stephen Voss

Photo Credit: Stephen Voss

Takahiro Mori Performs Bonsai Demonstration at U.S. National Arboretum

Mori works on bonsai during demonstration.

Mori works on bonsai during demonstration.

Japanese bonsai master Takahiro Mori held a bonsai demonstration at the U.S. National Arboretum on July 20th.

In February, Yoshiko Higuchi of the Japanese Embassy wrote to Museum curator Michael James that Mori, a Japanese bonsai master who operates a nursery in Saitama, Japan, planned to visit D.C. in July. Higuchi and James then asked Mori to perform a couple of public and private demonstrations while he stayed in the District. 

At the public Museum demonstration, Mori held a talk about bonsai and performed a one-hour demonstration on a juniper collected on the Arboretum’s grounds five years ago. Museum staff members who have been caring for the tree since its collection will complete any remaining wiring and pruning the juniper needs.

The juniper collected on the Arboretum’s grounds five years ago that Mori worked on during the demonstration.

The juniper collected on the Arboretum’s grounds five years ago that Mori worked on during the demonstration.

MEDIA ADVISORY: Sister Museum Announcement

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FOR IMMEDIATE RELEASE


The U.S. National Arboretum’s National Bonsai & Penjing Museum and the Omiya Bonsai Art Museum of  Saitama City, Japan to Sign Sister Museum Declaration


Official signing, private celebration and special presentation will take place August 5th at the National Bonsai & Penjing Museum

WASHINGTON, DC – On Monday, August 5, 2019, the National Bonsai & Penjing Museum, located at the U.S. National Arboretum in Washington, DC, will officially become a “Sister Museum” to Omiya Bonsai Art Museum of Saitama City, Japan. The National Bonsai Foundation (NBF) will help host a formal dedication ceremony to mark this occasion at the Washington, DC Museum. Discussions around this idea started in 2012 when NBF Co-President, Jack Sustic visited OBAM to discuss beginning a relationship between the two museums. 

On August 5th, Dr. Richard Olsen, Director of the U.S. National Arboretum, and the Honorable Hayato Simizu, Mayor of Saitama City, will sign the "Sister Museums Declaration.” This will be followed by brief remarks from Richard Olsen, Mayor Simizu, NBF Co-President, Felix Laughlin, and Minister Takehiro Shimada, of the Japanese Embassy.  There will be lunch in the Museum’s Exhibits Gallery followed by a presentation from Dr. Fumiya Taguchi, of Omiya Bonsai Art Museum on "Japanese Bonsai History."  

This event is invite only. Members of the press interested in attending can contact Kendra@KendraRubinfeldpr.com


The National Bonsai and Penjing Museum will be closed from 10:00 a.m. until 2:00 p.m. for this special event.

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Founded in 1982, the National Bonsai Foundation is a 501 (c) (3) nonprofit that works in cooperation with the U.S. National Arboretum to supply financial, programmatic and curatorial support for the National Bonsai & Penjing Museum. The Foundation offices and Museum are located on the grounds of the Arboretum in Northeast Washington, DC.

www.bonsai-nbf.org